![]() ![]() These can be toggled using shortcuts, or the icons located at the bottom of the project window. Having docked windows like this allows the user to quickly access the device editor while mixing, or the piano roll while creating clips. The Inspector, Browser, Editor, Plugin Chain, Mixer and Studio I/O panels are all docked and can be hidden or called up as needed with keystrokes, hence a tidy screen is easy to achieve. The GUI is clean, minimal and it looks great on Retina displays. This allows the users to bring in clips on the fly, even while working with a linear arrangement. You can flip between the two views by pressing the TAB button on your keyboard, but you can also access the clip launcher as a tabbed window from within the arranger view. For example, if you modify a clip in the arrangement, its duplicate in the clip launcher will not be modified. It’s the best of both worlds.Ĭlips can be freely copied between the arrangement view and the clip launcher, but they remain independent in both views. You can also capture a performance in the arrangement view and then proceed to edit it as you would in a linear DAW. This kind of functionality makes it extremely easy to experiment with the structure of your song. Importantly, sets of clips on different tracks can be grouped and triggered together by forming a scene. It’s also a great approach for experimenting and coming up with new ideas in the studio. This is extremely useful for live use, as no musical structure needs to be pre-arranged and you can launch your clips with a MIDI controller built for this task. All of the things you’d normally program into an event/region/musical phrase are contained within a clip and can be launched at any time.Īll the other clips from a project can be triggered as well, making it possible to create entire songs by triggering clips, without ever committing anything to the project time line. A clip is an audio file or a MIDI sequence, complete with insert FX settings and automation, volume, panning etc. With clip launching however, you simply trigger a clip and allow it to loop as long as you want. Clip launching opens the door for the DAW to take a more instrumental role in the creative process. In a traditional DAW, all events/regions/phrases are heard when the play head passes over their position on the timeline. (Hooray!) The Conceptīitwig Studio combines clip launching and a linear arranger into a single package, having a lot in common with Ableton Live. An investment $299 gets you the full, all singing, all dancing version of the application. ![]() The plugin itself will crash and require a reload, but nothing else in the project will be affected. Encouragingly, there is no exuberantly priced pro version or crippled entry version of Bitwig. If one plugin crashes, it doesn’t bring down the whole program. ![]() Giving the plugins their own process makes Bitwig a very stable DAW. The application can run 32-bit and 64-bit VST plugins simultaneously, without the need for bit-bridges. The most useful part of the 1.2 update for the majority of users is probably the addition of group tracks and a very nicely featured pop-up browser. But for those not too familiar with the progress of this DAW, lets back track a little and look at what Bitwig has to offer.īitwig runs on both Windows and Mac OS, but it is only compatible with VST plugins currently, no Audio Units. I don’t have a touchscreen device, though, so the 1.2 update is the one I’ll be focusing on. In fact, since I began writing this review, a release candidate for 1.3 came out which introduces touchscreen compatibility. Bitwig Studio has been out for a good while now, and although there were a number of features missing in the 1.0 release, it’s quickly become a well-featured and very stable digital audio workstation. ![]()
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